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Selected bibliography

  • Bentkowska-Kafel, A., Cashen, T., and Gardiner, H., Digital visual culture: Theory and practice, Chicago: Intellect books / University of Chicago Press, 2009.

  • Bright, Susan, Auto focus – The Self-Portrait in Contemporary Photography, Thames and Hudson, 2010.

  • Catching, Rebecca, "Translocal motion sickness: Shanghai Biennale gone off the rails?", Contemporary Visual Art and Culture Broadsheet, Vol. 40.1, March 2011.

  • Gallery Girl, "Gallery Girl Wishlist – To il Piccolo Mondo!", ArtReview Online, April 30, 2015.

  • Ho, Rui An, "All the lines flow out", Cinémathéque Quarterly,National Museum of Singapore, Oct-Dec 2012.

  • Ko, Hanae, "Navigating the Unseen: An Interview with Charles Lim and Shabbir Hussain Mustafa", ArtsAsiaPacific,May/June 2015.

  • Lam, Jennifer Ka Yan, "CHARLES LIM, SEA STATE 2: AS EVIL DISAPPEARS", LEAP 19, May 2013.

  • Leanza, Beatrice (ed), THE HUMAN FACTOR - Rethinking relationality (or the artist as bricoleur), Rome: Cura Books, 2012.

  • Mejía, Viviana, "All the lines flow out", Contemporary Visual Art and Culture Broadsheet. Vol. 40.1, March 2011.

  • Merewether, Charles (ed), "SEA STATE 2: As evil disappears in "ISSUE: Land", Annual Art Journal, Vol. 1, 2012.

  • Mettais, Valerie, Portraits, France: Palette Editions, 2012.

  • Mey, Vera, “SEEING SEA: CHARLES LIM”, LEAP, Issue 29, Sep-Oct 2014.

  • Rahardjo, Jessica Anne, "Conversation with Charles Lim" in "ISSUE: Land", Annual Art Journal, Vol. 1, 2012.

  • Rae, Paul, "Charles Lim, SEA STATE 3: Inversion" (exhibition catalogue), Singapore: Future Perfect, 2014.

  • Singapore Art Museum, "alpha 3.8: translocated", 2003.

  • Tan, Guo-Liang, "Charles Lim" in Singapore Biennale 2011 open house (exhibition catalogue), Singapore Art Museum, 2011.

  • Teh, David. "Charles Lim’s Informatic Naturalism: notes on SEA STATE 2" (exhibition catalogue). Singapore: Future Perfect, 2012.

  • Yao, Pauline J., "Close Up: Floating World", artforum, April 2015.

Selected news





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